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Cycling ’74 Max is a powerful platform that ingests and connects a variety of tools for audio, graphics, music, and interaction using a flexible debugging and programming environment. Max allows most computer users to write a simple and purposeful program within a few minutes, even with limited programming knowledge. But to do something more substantial, it is necessary to treat Max as an actual programming language, by taking advantage of its various mechanisms to extract program elements into scalable and reusable components that can be combined in increasingly powerful ways. This class will not cover all the individual capabilities of the language, but will instead focus on the core concepts and mechanisms that will allow for massive new freedom and possibilities in Max. The chapter will address:
- Play audio and movie
- Sound installation
- Audio and video effects processing
- Arithmetic configuration
- Cross-media mappings (eg video affecting audio and vice versa)
- Interactive control (eg, from QWERTY keyboard, mouse, USB devices, open volume control)
Max programming, like most interesting topics, has both deep and shallow sides. This course will largely focus on the deep aspects: principles, concepts, techniques, and theory. If you understand these basic aspects, your creativity in Max will deepen considerably. At the same time, this is not just a theoretical category. You will also create your projects using Max. This course will teach you the minimum you need to start working on assignments, but mostly I will teach you how to learn or research shallow knowledge on your own using Max’s built-in documentation, the internet, and the Kadenze course forum, also like how to program your tests that answer specific questions or reveal errors potentially.
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Max, Max/MSP, Max 8, Max for Live, Jitter? All the names add to the confusion of classifying what it is. Max is a program created by Cycling Max, which is now owned by Ableton. It is a programming language centered on visuals, making it easy to explore and create unique ways to structure, create and visualize music. Starting in 1985, Max (originally called The Patcher) was first created to provide composers with a graphical interface for creating interactive computer tracks on the Macintosh. The first widely recognized use of Max was in Pluton, a 1988 piano and computer piece by Philippe Manoury, in which the program synchronized a computer with a piano. It has come a long way since then with the launch of Max 8 (the latest version) in 2023.
He describes Cycling Max 8 as “a limitlessly flexible space to create your interactive program.” It provides users with the ability to design their tools, wizards, and tools for direct interaction. With Max, creating unique computer-based music is easier than ever. At the core of the program are objects. They can perform various functions, such as generating sound waves or representing devices, and with Patchcords you can connect objects (which is when the fun begins). By linking objects, you can create all kinds of audio processors: synthesizers, effects, or even create visuals from the inputs. You can also connect UI objects, which act as tweaks or sliders to modify, set, or scale various data.
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The visual element is essential to understanding Max. You can see what is connected, and how the objects affect each other. The user interface enhances creativity, making it easy to connect and expand different objects through clear entrances and ports. The Max 8 starts with a blank canvas and expands to fit your work, making the design seamless and intuitive.
There are no limits to how much you can add to a patch; It depends on your approach. Do you want as much noise as possible? Or do you want to create a self-tuning based on weather patterns? You are only limited by your imagination.
Max for Live’s integration with Ableton Live lets you control lighting, interact with devices, and even create live visuals from within your Max for Live device. This means that you can create your own devices to suit your personal needs, whether it is for performance or recording. If that’s a little daunting, thousands of user-made devices can be found in the ’74’ Cycling Hardware Library.
Being able to build your unique patches and use them with Ableton is especially exciting for solo performers. By introducing randomness into the chain of signals, it’s as if someone else is improvising with you, causing the shows to be interactive and different from night to night. Visual manipulation is another aspect of Max for Live and is an attractive way for Ableton users to add another element of performance to their live collections.
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The software is not designed for live performance use only. Max has been used by composers, artists, software designers, researchers, and artists to conjure up all kinds of interesting creations. It’s an idea generation tool – you can experiment with moving objects, downloading other users’ patches, or trying a bunch of input sources with the same patch. It’s a compelling program for many artists, as you don’t need anything but your computer to harness its power. Plus, it produces results you might never have imagined. There is plenty of community-built software available for those who just want to get started building in Cycling Max. One of the elements that are well appreciated is the loop, which consists of parameters that can be explicitly controlled by any module (law) and directed in any direction.
It is designed for live improvisational and interactive installations to set up virtually interactive environments. The interface and scope of the software mean that you can use it for almost any performance application. This is evidenced by the stylistic breadth of the artists who use it, such as Christian Vincenzo, Kiko Yu (o.blaat), Taku Onami, Christoph Kosman, Paulo Raposo, Alessandro Fouger, and many others. With the advent of shows like Max, we now have access to music that couldn’t have existed before. Now new instruments can be created from your laptop, whether it’s self-generating sound, requires MIDI input, or uses audio input, you can create an instrument that you can only play.
Features:
- JavaScript, Cole, and other text-based objects can open files in an external text editor
- The Max console toolbar icon appears when new messages or errors arrive
- Post messages to the Max console from any patch cord in one step with the new Print Watchpoints.
- Max 8 includes an all-new user interface for editing object colors including algorithmic color adjustment, palette saving, loading, and more.
- Use your mouse or trackpad to zoom in and scroll in large correctors
- The patchwork pattern system features many improvements including the ability to delete patterns
- There are new options for pasting objects including Paste and Match Style
- The audio signal probe includes the new date and band patterns
- Updated interfaces for reference, package manager, file browser, and authorization window
- The feature that converts variable attributes into arguments is improved, especially for Jitter objects
- The New Picker UI object displays a scrolling list, which is useful for file-browsing interfaces and more
- The new Multi-Range Object is a graphical editor for functions that contain ranges of values
- The new Console object outputs and filters the contents of the Max Console inside your patch
- New 14-bit continuous controller MIDI objects and recorded and unregistered parameter messages
- Gen now has an event domain version called gen with the same interactive code generation and DSP features as the older siblings’ gen
- New frames and Framesnap objects simplify working with spectral data
- Improvements to jit. Gl.pix WebGL export process
- OpenGL supports drawing to multiple jits.Gl.node contexts, simplifying rendering shapes from a single geometry source.
- Improvements to the way Jitter GL objects automatically search and join the view context without specifying the name of the view context
Highlights:
- Things
Every being does something. Max contains objects that generate sound waves, represent devices, or provide a user interface for interaction.
- Patch cards
Patchcords connect one object to another. This connection allows objects to share their output with connected objects.
- Control
Connect user interface objects such as dials and sliders to provide control values or display results. Modify, plot, and measure data to get just the right results.
- Gesture sound
In Max, you can build classic synths from scratch or get lost in hacking unusual sounds together. Try the XY controls below to hear some of the sounds you can create with Max.
- Make visual music
Max includes full-featured and expandable video and graphics tools with Jitter. Jitter is optimized for real-time audiovisual work, and it’s as easy to integrate with audio, sequencing, and editing as anything else in Max.
- Prototype and evaluation
Flexible hardware access makes Max an ideal environment for prototyping. Connect your development board to the Max and get instant access to sensors, knobs, and switches. Watch the data flow as you develop the interaction.
- Generate audio, video, and code
Use Gen to correct delicate processes together for audio, matrix data, or texture processing. Gen allows you to combine procedural commands with visual debugging to simplify the creation of custom operations.
- Max extension
Max’s built-in package manager provides instant access to over 50 add-ons covering everything from computer vision to support for hardware controllers including Novation, Monome, and ROLI controllers.
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